![]() (Chapter 1) This Ain’t the Summer of Love (Leda Strike’s favourite song:) Mistress of the Salmon Salt Leda Strike had the title of this song tattooed above her pubic hair. You can see how the song links to what happens in the story…Ĭareer of Evil (Lyrics by Patti Smith), I choose to steal what you choose to show, And you know I will not apologise – You’re mine for the taking. She even named her son Cormoran Blue Strike after them.īelow is a full list of all the Blue Öyster Cult songs mentioned in Robert Galbraith’s Career of Evil with a short synopsis for each chapter. W e find out that Blue Öyster Cult was Leda Strike’s favourite band (‘Well, “favourite” is an understatement. At the beginning of every chapter of Career of Evil, there is a line or two of lyrics from a Blue Öyster Cult song. “Dickinson,” you’ll recall, kept calling for more cowbell from Will Ferrell during a sendup of the sessions for “Don’t Fear The Reaper.Blue Öyster Cult is an American rock band which formed in 1967 and was active throughout the 1970s. The Essential Blue Oyster Cult, featuring 31 live and studio tracks recorded between 1972-185, was produced for Legacy Recordings by Bruce Dickinson, the actual archivist whose name was swiped by the Christopher Walken character in a memorable Blue Öyster Cult-themed Saturday Night Live skit from 2000. Check them out in this pyromaniacal, heavy-rotation video for “Burnin’ For You.” Recorded in the storm drains of Los Angeles, it was all but unavoidable during MTV’s infancy. But “Burnin’ For You,” for all of these reasons, is the A-side I’ll always love.īlue Öyster Cult was rounded out in the classic period by vocalist Eric Bloom, bassist Joe Bouchard, keyboardist Allen Lanier and drummer Albert Bouchard. Elsewhere on Essential, there is plenty of heavier, edgier fare - “Godzilla,” y’all! - to recommend, as well. Whereas “Reaper” argued that we should accept our fates with a dreamy, whirling certitude, here we’re exhorted to “Burn out the day, burn out the night!” There was a suicidal passion to their initial hit, while this one sounds like a balled-up fist of steely determination.Īfter the first verse, BÖC returns to the thrumming intro once more, building even more tension as Roeser attacks the lyrics with a rhythmic force - offering a series of lines beginning with the word “time.” There’s “time is the season” and “ain’t no reason,” “ain’t on my side” and “I’ll never know,” but then, right in the middle, Roeser winkingly adds: “Time to play B-sides.” (Quick, kids, what’s a B-side? That’s what I thought.) It’s a sly little gift, as Roeser slips in an of-the-moment piece of nostalgia, and something I still look forward to each time this song spins. Its message couldn’t have been any more different, either. There were also reports that this track was originally slated for inclusion on a Roeser solo album - peeling back another layer in the mystery of its offbeat dissimilarities with the band’s earlier hit. Blue Öyster Cult’s earlier recordings had been done with A&R man Murray Krugman, along with seminal band contributor Sandy Pearlman. This tough little track, part of a new 2-CD Legacy Recordings compilation called The Essential Blue Oyster Cult that’s due on April 17, 2012, couldn’t be further from the dreamscape wonder, the weird guitar symphony, the ever-lovin’ cowbell of BÖC’s career-making tune of five years before.Ĭomposed, as was “Reaper,” by Roeser (this time, with help from Richard Meltzer), “Burnin’ For You” was part of an ’81 release called Fire of Unknown Origin which was produced by Martin Birch - famous for having worked with Black Sabbath during the Heaven and Hell era. 40 in 1981.Ī billowing riff, these stuttering drums, then a cascading vocal - and “Burnin’ for You” is off. But, for me, the better song remains “Burnin’ For You,” which spent three weeks stuck at No. ![]() ![]() 12 hit from 1976 - and I admit, I’ve always been a fan of the song’s false ending, followed by Donald “Buck Dharma” Roeser’s super-sly return. Everybody remembers “Don’t Fear The Reaper” - Blue Öyster Cult’s No.
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